Noir
I’ve always rooted for mavericks.
People who are comfortable with contrast. People who embrace it.
Artists are mavericks. It’s an occupation—a life—against the odds. It’s a tightrope in the dark.
I’m particularly interested in the artists of Film Noir: a style of cinema known for it’s gritty, shadowy nature. The harsh shadows were often the byproduct of working with a scrappy lighting budget, but the style was embraced and used to dramatic effect.
It’s a style created by mavericks. And this series is for them.